Painting an icon is like bringing a little bit of heaven into our material world. It's not just the design, shape, and colours, but the very matter itself—the grains of pigment, the texture of the wood, the shimmer of the gold—that are transformed into a hymn in paint. It is all to God's glory and a testament to his love!


Commissioning an icon is thus something much more than ordering an icon print, however fine the quality.


It's a spiritual treasure to be passed down the generations, and a potent witness to God's love in our world.

I have been painting icons since I was in my late teens, have been  a full-time professional iconographer for almost 20 years.  I have completed commissions for a very varied range of venues and people, of sizes and complexity. These have included Our Lady Who Brings Down Walls in Bethlehem, Lichfield Cathedral, the Anglican Church in Rome, the Shrine of Our Lady of the Mount in Jordan, and the Orthodox Church of St Nicholas in Beit Jala, Palestine.


For me, the icon is a door, a place of encounter, where heaven opens up on earth through line and colour. Christ stands in matter and caresses our eyes and our souls with his tender, merciful love.


When I paint Christ or the Blessed Mother, one of the angels or the saints, I aim to paint 'from life', as I do when doing any portrait. I try to get a sense of them, and what they are asking me to show of them. This makes it a profound prayerful work, a contemplation from heart to heart.


Thus I am not really drawn to making good copies or faithful variants of existing icons, however noble and worthy a task that is. My passion is rather to create something that is fresh, alive, rooted in my encounter with these holy people and the context into which my work will be placed. Timeless truths taking new forms in specific times and places. Christ is the God of the living, and is ever new, not trapped in a museum of the past. We must change simply to remain the same, yet our innovations needs be inherently conservative, to give witness to what is ancient, timeless and enduring.


I also do consultations on church refurbishment, design work, and undertake some restoration work on statues and icons.  Email me if you have something in mind.







" On our Parish pilgrimage in 2017, St Michael’s Parish from Worthing, West Sussex, met Ian Knowles – the Director of the Bethlehem Icon Centre. He was inspiring. The icons were breathtakingly beautiful and spiritually uplifting. The commitment to the highest standards of sacred liturgical art was obvious and listening to Ian talking about them we could not help but be impressed by the prayerful nature of their creation. Painted in the traditional manner with gold and tempera they are truly magnificent testimony to our Faith and Mission. When we returned to Worthing we shared our experiences and it was agreed that to celebrate the 60th anniversary of the parish we should commission two for the Church. These have now been done, one of St Michael and one of our Lady, and are proudly hung either side of the altar. They are inspiring." 

Margaret Bamford, 2019 


What's involved in commissioning an icon?

Perhaps my most unusual commission was 'Our Lady Who Brings Down Walls', which I was commissioned by local Christians in Bethlehem to paint on the Israeli Separation Wall between Jerusalem and Bethlehem in 2010. Many hundreds of thousands of pilgrims have visited this site, and every week a group of local Christians pray the Rosary here for an end to the injustice and divisions that beset the Holy Land. Our Lady, Queen of Peace, ora pro nobis!

For individuals a commission is very much the fruit of a discussion between us, but for churches and more demanding projects it can be quite an involved. Here are three stories of some of more major commissions I have undertaken.

The Bishop Challoner Story

A redesign of a school chapel in London, with four icon commissions.

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Lichfield Cathedral

A four year project designing and making three massive icons for the nave of this English cathedral

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An icon for Rome

A special comission for the visit of the Holy Father to Rome's Anglican parish church

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Is an icon expensive?


Not necessarily. It depends on the complexity of what you want, the type of materials, the time pressure, and of course you have to add on any taxes for import/export if that applies. Having said that, icons take a lot of time to design and make, and so they aren't cheap. A simple head of a saint, without gold leaf, begins at about €350, and prices go up from there! Let me know your budget and let's see what we can do.

Can you paint anyone?

Icons are strictly the art of the Liturgy, so I only paint canonised saints of a particular Church - Catholic, Orthodox, Anglican etc. - as an icon.


However, I do occasionally take on commissions for regular portraits, in egg tempera or oil.


How long does it take?

Again, depending on the complexity of the subject, an icon can take from a month upwards to design and execute.


Please also be aware that others might already be in a queue waiting to be painted.


However, if there is a deadline, for example it's a leaving gift for a priest, then let me know and I will see what I can do.


Do you just paint icons for churches?


No, I paint icons for individuals, organisations, churches, religious communities, shrines and cathedrals, as well as for individuals.


Below you can see some of the bigger projects I have been involved with.


If you want to

commission an icon


then please click this button below and complete the form.


I will be back in touch and we can discuss things further.